The other early romanticism take on the Robin Hood legend, aside from the silent Douglas Fairbanks version. This one puts famed Hollywood hell raiser pirate Errol Flynn in the title function of Robin Hood. Equally would be expected of that scoundrel/scallywag Flynn'due south famous devil-may-care-heroics, the Flynn Robin Hood outrightly refuses to support Prince John when he commits what Robin views as treachery - trying to get himself made king and abusing the country and the people in what may or may not be the aftermath of his older brother King Ricahrd the Lion-Hearted'south expiry while battling in the crusades. After nearly getting killed by John and Gisbourne's men, Robin goes on the run, with Will Ruby-red and along the way acquiring Much, Little John, a cantankerous Friar Tuck, and a whole army of merry men in tights. From there, he becomes the great outlaw we all know and love, fighting Gisbourne, the bumbling Sheriff and Prince John anyway which way he tin and sweeps that adorable sweetie pie Maid Marion off her anxiety.
Sure the costumes may look simulated today and the motion picture itself overly colorful, just information technology'due south even so a fun fourth dimension. Sure Errol Flynn doesn't have a well articulated British accent either, merely at least he doesn't sound like he's from the heart land of America. Flynn is certainly a lot quicker on his feet than Kevin Costner was, which comes in handy when you lot're in a duel to the decease. Basil Rathbone is a fairly menacing Gisbourne, smarter than the Robert Addie or Michael Wincott versions (he looks kind of like Christopher Lee), and Olivia de Havilland is a very pretty Marion without beingness overly sexual and slutty nigh it (equally was the example with many leading ladies back so). Out of the versions I've seen this is probably the merely one where the Sheriff is an idiot and Gisbourne is the real menace (Gisbourne died early on in the Kevin Costner verison of Robin Hood, and on TV's "Robin of Sherwood" he was but this weird neurotic guy, and I'm afraid I don't retrieve the Patrick Bergin version of Robin Hood very well).
In that location are least 5 big action sequences here, namely Robin's 2 escapes from Nottingham, an deadfall in Sherwood Forest and the climax betwixt Robin's & King Richard's men at Nottingham castle. Naturally, there is a duel to the decease that features shadows on the wall going at it while the actors are off screen. Proficient stuff, especially for the children.
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